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I often keep the initial sketch for a new print or image element
rough or unfinished, just the primary shapes and outlines defined. It’s
the drawing on stone that’s important and it should have the freshness
and inventiveness of an original drawing, not something that has been
overworked and translated to stone. Also, a fully developed tonal
drawing for a “key” plate will leave no open space for the subsequent
color plates to show through. The key, when printed, will cover up all
the wonderful color interactions in the previous printings.
Below are the color separations for the Peacock Feather impression.
They are displayed in the order they were printed. The order in which
a color plate is printed often depends on the effect desired by the
artist. One interesting note, plate No. 4 was actually printed with an ink
called Thalo Peacock. |